<\/div>\r\n

A picture in Bangladesh. Like in the romantic painting Wanderer above the Sea of Fog<\/em>, one Rohingya boy stands on a hillock above the bamboo and tarpaulin shelters and dirt paths of a refugee camp. The kid, dressed with the traditional longyi, points to the mountains on the horizon where his native Myanmar lies. This photograph was shot by Abul Kalam, one of the Rohingya photographers who use their smartphone cameras to document life in the camps.<\/p>\n

The pictures of these photographers show the reality in the camps, including the banners held by refugees when they protest for their rights, and reach a worldwide audience on social media with hashtags like #RohingyaCrisis, #RohingyaLivesMatter, #Genocide and #EducationForAll.<\/p>\n

\n
A child from shalbagan after arrived in BD from burma, seeing our native land from here, admired different nature of Arakan, still can't forget the terrible situation moreover, eager to return to homeland with dignity if get fulfiled rights as per demand. Photo by A kalam.2018 pic.twitter.com\/fYr0ePCFZj<\/a><\/p>\n
— Abul kalam photography in Bangladesh (@kalamabul408) September 27, 2022<\/a><\/p><\/blockquote>\n