STOP FILMING US: A documentary about white saviorism
The documentary film ‘Stop filming us’ was released earlier this year and is now being presented in several locations (such as the Human Rights Film Festival Berlin, the Africa museum, Congo in Harlem and several Dutch universities). In the film we see Dutch filmmaker Joris Postema in Goma (Democratic Republic of Congo), where he follows three young Congolese artists. They talk about their struggle and frustration with the western dominance and their city being portrayed as dangerous. Postema’s position as a western filmmaker is being questioned. The movie is intended to create a dialogue between the Congolese reality and the Western perspective. The question however then rises whether a western filmmaker can really give an honest and Congolese perspective. How do the Congolese feel about these white saviors? And are they actually doing something good when trying to do good? Is it even possible for a western filmmaker to leave the stereotypical and western thoughts behind?
